Female Filmmaker Friday

#FemaleFilmmakerFriday – What roles are MANDATORY on set?

What are film roles you’ll never leave out on your future sets? Perhaps because you’ve had to work without them before, etc. (things like HMU, production design, AD, line producer, etc etc. Anything beyond director/producer/DP basically) – Bri 

Thanks, Bri!! 

Hey! First, big ol thanks to my Patrons over at patreon.com/katehackett for supporting me every month and making sure I can put videos out — like this one! Patreon is an amazing platform that gives me stability as an artist to keep fighting for a little room in the industry – if you want to keep in touch with me, learn about the biz, or just show support for a writer, producer, actor, creator in Los Angeles, visit patreon.com/katehackett. Patrons also receive weekly #FemaleFilmmakerFriday content, so if you don’t want to miss anything, make sure you head on over!

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And, of course, thanks so much to viewers like you for joining me for this month’s Female Filmmaker Friday vlog, where once a month I chat with you publicly about some aspect of the business — and being a woman therein.

This month I have a question from one of my Patrons. Bri asks “What are film roles you’ll never leave out on your future sets? Perhaps because you’ve had to work without them before?”

So— beyond the bare minimum, which is really just actor, director, who do we have? DP. Sound. Those are the next most important roles. You must have good sound. Period. DPs are great, a good camera does wonders, though sometimes you can get a director to double. When I hire for these roles in particular, I do my best to hire women; I’ve worked with some WONDERFUL female DPs who really have a great eye. These jobs also skew typically male, so it’s important to be conscious of your hire.

After that, as an actress, I always want Hair & Makeup. Some actors are fine without it; I’m notoriously bad at doing my own hair and makeup and if I have to commit my face to film, I would love for someone who knows what he or she is doing to tackle this.

At this point, everything else becomes “wishlist”. If you’re shooting at a teeny micro budget level, you can make this work with your skeleton crew. However. It’s important to know your weaknesses and farm that work out. Production design is probably the next person I would really want on set; it’s possible to get away with doing PD yourself, especially comedy, but it’s always a billion times better when you hire someone.

When I’m working barebones, I do all the line producing (which is budget stuff), we AD ourselves (keep ourselves on schedule), we gaff ourselves (lighting), we clothe ourselves, so these teammates are not REQUIRED for uber low budget productions I run, but they’re really fucking helpful. It also really depends on the scope of the project; a short comedy in your apartment doesn’t need a best boy. A scifi short action film requires at least three people on production design’s team. 

To conclude: actor. director. sound. DP. Hair & Makeup. You can skate by with those — but remember that that means YOU are doing all of the other jobs that you had to omit!

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